How to get people interested in art? How to expose permanent-collection works that sit in storage? These are questions art museums constantly ponder. Recently, Tate Britain asked another one: How can artificial intelligence help? It put the question to anyone who wanted to compete for the 2016 IK Prize, which promotes the use of digital technology in the exploration of art at Tate Britain or on the Tate website.

How to get people interested in art? How to expose permanent-collection works that sit in storage? These are questions art museums constantly ponder. Recently, Tate Britain asked another one: How can artificial intelligence help? It put the question to anyone who wanted to compete for the 2016 IK Prize, which promotes the use of digital technology in the exploration of art at Tate Britain or on the Tate website.

How to get people interested in art? How to expose permanent-collection works that sit in storage? These are questions art museums constantly ponder. Recently, Tate Britain asked another one: How can artificial intelligence help? It put the question to anyone who wanted to compete for the 2016 IK Prize, which promotes the use of digital technology in the exploration of art at Tate Britain or on the Tate website.

The system is called Recognition and will be running for three months in London up to 27 November 2016, both online and in a small exhibition at the Tate. A nice touch is that it will also take in feedback from matching selections made by viewers themselves at the art museum on Millbank. Created by Fabrica, it's the winner of the IK Prize 2016 for digital innovation, awarded by Tate Britain, in partnership with Microsoft. You can see it in action above, in the match of LS Lowry's Industrial Landscape (from 1955) with a recent construction image of Changi Airport in Singapore… Apparently, Recognition employs multiple artificial intelligence technologies. For example, there is natural language processing to interpret image captions and text, analysing context and subject matter.

A new installation on display until November 27 brings artificial intelligence into London's Tate Britain for the first time. The winner of Tate's IK Prize 2016 -- an annual commission by Tate in association with Microsoft that awards "digital innovation" -- the work "Recognition" was created by Italian communications research center Fabrica. It uses AI to match a constantly updating stream of news images and photojournalism from Reuters with works from the Tate's extensive collections. Currently on display in a dedicated gallery at Tate Britain and on the website recognition.tate.org.uk, the program uses an algorithm that judges images based on four criteria: object recognition, facial recognition, composition, and by analyzing accompanying text data to match images by context. Through this, Fabrica is hoping to uncover "inspiring, insightful, humorous, and thought-provoking relationships," according to a statement.

The system is called Recognition and will be running for three months in London up to 27 November 2016. A nice touch is that it will also take in feedback from matching selections made by viewers themselves at the art museum on Millbank. Created by Fabrica, it's the winner of the IK Prize 2016 for digital innovation, awarded by Tate Britain, in partnership with Microsoft. A display at Tate Britain accompanies the online project offering visitors to the gallery the chance to compare the machine's matches with their own and invites them to help retrain the algorithm. The experiment will explore whether an artificial intelligence programme can learn from the many personal responses humans have when looking at images.

Stare across the gallery of the Tate Britain at a Turner and you bring with you a quiet murmur of experiences – a family holiday, an orgasm, that morning's news. What you see works in co-ordination with echoes. But what does a computer see? What does it think when it looks at a Turner? Recognition, the winner of the Tate's IK Prize 2016 for digital innovation, asks – and answers – some of these questions. Made up of multiple artificial-intelligence technologies, Recognition makes use of object recognition, facial recognition and composition analysis to pull up-to-the-minute photojournalism from Reuters, then trawls through Tate Britain's vast collection to plonk a comparable picture beside it.

Who needs Art critics when a computer can do the job? Visitors to the Tate will be invited to access an Artificial Intelligence (AI) programme which uses algorithms to explain the relevance of works in the collection. "We can't wait to begin working with Tate, Microsoft and a talented team of AI specialists to create this living, seeing, algorithm." Tate Britain has awarded the 15,000 IK prize and a 90,000 production budget to the Italian team behind Recognition, a research project which will merge AI and art, to "uncover the hidden links between current events and art from the Tate collection." Supported by Microsoft, the Fabrica team, based in Treviso, will use powerful algorithms and "machine learning" to search through Tate's vast digital collection and archive and news images of current events, unearthing "hidden relationships between how the world has been represented in image form, in the past and present."